- Saving Private Ryan (1998) dir. Steven Spielberg
- The art of making us feel that we are there.
- Three Colors: Blue (1993) dir. Krzysztof Kieślowski
- White light-empathy
- Casablanca (1942) dir. Michael Curtiz
- Highlights filmed in studio set.
- The Record of a Tenement Gentleman (1947) dir. Yasujirō Ozu
- Pause in story-calm restrained.
- Odd Man Out (1947) dir. Carol Reed
- Using bubbles to see own troubles.
- Two or Three Things I Know About Her (1967) dir. Jean-Luc Godard
- Also using bubbles.
- Taxi Driver (1976) dir. Martin Scorsese
- Using more bubbles.
- The French Connection (1971) dir. William Friedkin
- Redraw a map of movies in our heads.
- 1895-1918: The World Discovers a New Art Form or Birth of the Cinema
- Traffic Crossing Leeds Bridge (1888) dir. Louis Le Prince
- Usage of creative idea building.
- The Kiss (1896 film) (a.k.a. May Irwin Kiss) (1896) dir. William Heise
- A little moment that everyone could understand.
- Workers Leaving the Lumière Factory (1895) dir. Louis Lumière
- The source of the nile the place of the first movie.
- Arrival of a Train at La Ciotat (1896) dir. Louis Lumière
- Something that had happened came back to live for the very first time.
- Annabelle Serpentine Dance (1894-1896 ?) dir. William Kennedy Dickson or William Heise
- Lights in a box.
- Sandow (1894) dir. William Kennedy Dickson
- Something all wanted to see.
- What Happened on Twenty-third Street, New York City (1901) dir. George S. Fleming and Edwin S. Porter
- An image to flip through when happy or sad.
- Cendrillon (1899) dir. Georges Méliès
- Involves.
- Le voyage dans la lune (1902) dir. Georges Méliès
- Brothers of light.
- La lune à un mètre (1898) dir. Georges Méliès
- Innovation by accident.
- The Kiss in the Tunnel (1899) dir. George Albert Smith
- One of the first to film a from of a train AkA phantom ride.
- Shoah (1985) dir. Claude Lanzmann
- Showing phantom in a real way.
- 2001: A Space Odyssey (1968) dir. Stanley Kubrick
- Phantom light out of body experience
- The Sick Kitten (1903) dir. George Albert Smith
- One of the first close ups in cinema.
- October: Ten Days That Shook the World (1928) dir. Sergei Eisenstein
- Real sense of movement and tragedy.
- Once Upon a Time in the West (1968) dir. Sergio Leone
- Realizations.
- The Corbett-Fitzsimmons Fight (1897) dir. Enoch J. Rector
- Broader image showed more of the action.
1903-1918: The Thrill Becomes Story or The Hollywood Dream
- Life of an American Fireman (1903) dir. Edwin S. Porter
- Editing is the revolution of film.
- Sherlock Jr. (1924) dir. Buster Keaton
- Magically appears a new world around him.
- The Horse that Bolted (1907) dir. Charles Pathé
- Parallel editing, says meanwhile.
- The Assassination of the Duke of Guise (a.k.a. The Assassination of the Duc de Guise) (1908) dir. Charles le
- Bargyand André Calmettes
- The reverse angle shot was created.
- Vivre sa vie (1962) dir. Jean-Luc Godard
- Many aspects of the film industry where baffled.
- Those Awful Hats (1909) dir. D. W. Griffith
- More shots were available.
- The Mended Lute (1909) dir. D. W. Griffith
- Knowing the character is valuable.
- The Abyss (1910) dir. Urban Gad
- Less censorship.
- Stage Struck (1925) dir. Allan Dwan
- Motivating break throughs.
- The Mysterious X (1914) dir. Benjamin Christensen
- Uses light and editing to do something no other film maker had done before.
- Häxan (1922) dir. Benjamin Christensen
- The effects were complex, and lighting was chosen well.
- Ingeborg Holm (1913) dir. Victor Sjöström
- Something happened.
- The Phantom Carriage (1921) dir. Victor Sjöström
- Had stories within stories, feelings within feelings.
- Shanghai Express (1932) dir. Josef von Sternberg
- Invented youth and glamour.
- The Story of the Kelly Gang (1906) dir. Charles Tait
- First film filmed completely outside.
- The Squaw Man (1914) dir. Oscar Apfel and Cecil B. DeMille
- Well placed cuts and filming choices.
- The Empire Strikes Back (1980) dir. Irvin Kershner
- Angles matter.
- Falling Leaves (1912) dir. Alice Guy-Blaché
- Created dramatic art films.
- Suspense (1913) dir. Phillips Smalley and Lois Weber
- The stories and suspense that this film created.
- The Wind (1928) dir. Victor Sjöström
- Screen play in this film is remarkable.
- Rescued from an Eagle’s Nest (1908) dir. J. Searle Dawley
- The wind and the trees needs to be shown.
- The House with Closed Shutters (1910) dir. D. W. Griffith
- A sense of an outside world, softness and delicacy.
- Way Down East (1920) dir. D. W. Griffith
- Realness in the moment.
- Orphans of the Storm (1921) dir. D. W. Griffith
- phycological softness for the lenses.
- The Birth of a Nation (1915) dir. D. W. Griffith
- Mixed epic with interment.
- Rebirth of a Nation (2007) dir. DJ Spooky
- Heroic and thrilling.
- Cabiria (1914) dir. Giovanni Pastrone
- Uses elephants to show power.
- Intolerance (1916) dir. D. W. Griffith
- Loves struggle though history. Uses balloons to film in air shots.
- Souls on the Road (a.k.a. Rojo No Reikan) (1921) dir. Minoru Murata
- Two story lines intertwine.